Disprogramming the Syllabus: Embracing Non-Utility in Architectural Design

Authors

DOI:

https://doi.org/10.65262/qvj0bw67

Keywords:

architectural technologies, design process , non-utility , disprogramming, teaching process

Abstract

This paper traces the challenges and outcomes in rethinking the pedagogy of a course in Architectural Technologies at the Department of the Authors, which evolved from earlier iterations of Architectural Constructions. Traditionally, the course was dedicated to learning the logic of construction through generic building structures, often without creative input from students, resulting in limited functional knowledge in subsequent years of study. The syllabus was thus reframed to focus on exploring the relationships between the design process, spatial organisation, and ambience on one side, and morphology, materialisation, and structural elements on the other. By bridging the gap between technical knowledge and design thinking, this shift allowed students to engage critically with the interplay between design intentions and technical realities, fostering a deeper understanding of the design process itself. The analysis focuses on two consecutive academic years, during which students participated in international design competitions: The Home of Shadows in 2024 and The Architect’s Stair in 2025. In both cases, the tasks encouraged a departure from conventional, utilitarian functions of architecture. Focusing on the students’ results, the paper explores the potential of this intentional embrace of non-utility: the qualities it generates in understanding the design process and possible architectural outcomes. In particular, the paper examines how such an approach can disprogram the conventions of a syllabus dedicated to building structures, moving beyond purely technical concerns toward a more creative and critical understanding of structures’ roles and functions within their physical and social contexts.

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Author Biographies

  • Višnja Žugić, Department of Architecture and Urban Planning, Faculty of Technical Sciences, University of Novi Sad

    Višnja Žugić, PhD, is an Associate Professor in Architecture, at the University of Novi Sad, Serbia. She is a co-founder of several non-profit organisations specialized in creative practices, interdisciplinary research and education in the field of Spatial Design (BAZA-Spatial Praxis Platform, and Ephemera Collective), and the Institute for New Theatre, focused on production and research in the extended field of performing arts. She is focused on the intersection between performing arts and architecture, with a specific interest in spatial performativity. Her practice incorporates architectural design, site-specific projects, exhibition and installation design. She is an active member of the International Federation for Theatre Research, and a co-convenor of IFTR’s Theatre & Architecture Working Group.

  • Bojan Stojković, Department of Architecture and Urban Planning, Faculty of Technical Sciences, University of Novi Sad

    Bojan Stojković has completed his undergraduate and master studies at the Faculty of Technical Sciences, University of Novi Sad, where he is currently a PhD candidate. Since 2016, he has been working as a teaching assistant at the Department of Architecture and Urbanism, participating in the following courses: Architectural Design, Architectural Technologies – Design Process, and Architecture of Exhibitions and Events. He is one of the founders and a board member of the architecture, culture, and art associations Ephemera Collective and Baza – Spatial Praxis Platform, both based in Novi Sad, Serbia. In the field of professional and artistic production, he is the co-author of numerous architectural and artistic projects exhibited and awarded at international exhibitions and festivals. His main interests are architectural and spatial design, as well as the exploration of space through various types of media.

  • Petar Mitrović, Department of Architecture and Urban Planning, Faculty of Technical Sciences, University of Novi Sad

    Petar Mitrović (1998) holds a Master’s degree in Architecture and is currently a Junior Research Assistant and PhD student. He received the Special Award in 2020 and an Award in 2022, and collaborated on the project Novi Sad – Modern City, which won the Grand Prix at the 2022 Novi Sad Architecture Salon. He actively participates in scientific research, conferences, and professional projects. His doctoral research examines the reciprocal relationship between space and architectural narrative, particularly how spatial and temporal transformation informs the formation of narrative structures in architecture. Alongside his participation in multiple group exhibitions, he has held two solo exhibitions, Adaptation of the Terra Museum Complex in Kikinda (2021) and Deconstruction of the Urban Artefact: Three Castles (2023). He is a member of the Association of Novi Sad Architects and NC ICOM Serbia.

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Published

2026-06-29

How to Cite

Disprogramming the Syllabus: Embracing Non-Utility in Architectural Design. (2026). Acta Architectonica Et Urbanistica, 2(1), 82-92. https://doi.org/10.65262/qvj0bw67

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